Decades tend to crest halfway through, and 1995 was
the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published
High Fidelity, when James Brown's
Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of
The Bends, the year Danny Boyle started filming
Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote
The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference. It was a period of huge cultural upheaval - in art, literature, publishing and drugs, and a period of almost unparalleled hedonism.
Faster Than a Cannonball is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year, by artists including Radiohead, Teenage Fanclub, Tricky, Pulp, Blur, the Chemical Brothers, Supergrass, Elastica, Spiritualized, Aphex Twin and, of course, Oasis.
About the AuthorNew York Times and
Sunday Times bestselling author Dylan Jones has written or edited over twenty-five books. In the Eighties, he was one of the first editors of
i-D, before becoming a Contributing Editor of
The Face and Editor of
Arena. He spent the next decade working in newspapers - principally the
Observer and the
Sunday Times - before embarking on a multi-award-winning tenure at
GQ. A former columnist for the
Guardian and the
Independent, he is a Trustee of the Hay Festival, and a peripatetic television producer. In 2012 he was awarded an OBE for services to publishing.