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The Encyclopedia of the Sword
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Jack (Not Jackie)
$17.99
Brewing Up
$5.99
Culture and Customs of India
$70.00
The Dostoevsky Encyclopedia
$121.00
The Persian Gulf Crisis
$63.00
The Encyclopedia of the Sword
$105.00
Ladies of the Lake
$22.99
Perseids and Other Stories
$15.99
Souls in the Great Machine
$20.99
Spirits in the Wires
$20.99
The War Against the Rull
$16.99
Sale 10% Off Your First Order
Description
A sharply observed memoir of motherhood and the self, and a love letter to Maine, by a writer Eula Biss calls "witty, sly, critical, inventive" and whose mind Leslie Jamison calls "electric." One day Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls "the end times of childhood." When did this happen, she asks herself. Who is my son becoming-and what qualifies me to be his guide? What follows starts to feel like uncharted waters. Rape allegations rock the university campus where she teaches, unleashing questions of justice and accountability. Julavits begins to wonder how to prepare her son to be the best possible citizen of the world he's about to enter. And what must she learn about herself in order to responsibly steer him. Looking back to her own childhood in Maine, where she often navigated the coastline in a small boat relying on a decades-old sailing guide, Julavits take us on an intellectual navigation of the self. Throughout, she intertwines her internal investigation with a wide-ranging exploration of what it means to raise a child in a time full of contradictions and moral complexity. Using the past and present as points of orientation, Directions to Myself examines the mess minutiae of contemporary family life alongside knottier philosophical questions of politics and gender. Through it all, Julavits discovers the beauty and the danger of telling stories as way to locate ourselves, and help others find us. Intimate, rigorous, and refreshingly unsentimental about motherhood and parenting, Directions to Myself is a love letter to Maine and a reckoning with the disappearance of childhood-her children's and her own-that cements Julavits' reputation as one of the most engaged and innovative nonfiction writers today whose work has been called "fascinating" (Washington Post), "scathingly funny" (Los Angeles Times), and "exquisite" (New York Times).
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