Hedda Gabler

The play was intended as a tragedy on the purposeless of life imposed on the women of his time, both by their upbringing and by the social conventions which limited their activities. When it was first produced it met with misunderstanding and abuse. It has nevertheless become one of the most popular of Ibsen's plays.

About the Author
Meyer, Michael: - Michael Meyer first went to China in 1995 with the Peace Corps. The winner of a Lowell Thomas Award for travel writing, Meyer has also won a Whiting Writers' Award for nonfiction and a Guggenheim Fellowship. His stories have appeared in the New York Times, Time, Smithsonian, Sports Illustrated, Slate, the Financial Times, the Los Angeles Times, and the Chicago Tribune. He is the author of The Last Days of Old Beijing, which became a bestseller in China, and he divides his time between Pittsburgh and Singapore.Ibsen, Henrik: - Henrik Ibsen (1828-1906) was a Norwegian dramatist and poet, who has often been called the father of modern drama. In his mature works Ibsen used naturalistic settings and dialogue to expose the corruption and hypocrisy of middle-class life. His work is valued for its technical mastery, penetrating psychological insight, and profound symbolism.
His first play, the romantic Catilina (1850), written under the pseudonym of Brynjolf Bjarme, was followed by several historical dramas in verse; these included The Burial Mound (1854) and The Feast of Solhoug (1856), inspired by Norwegian folk songs. His most impressive works were written after he left Norway. The verse tragedy Brand was published to considerable acclaim in 1866 while Peer Gynt (1867; first staged 1876), a portrait of the author as an undisciplined and unprincipled young man, established his international reputation. In 1871 Ibsen began the play that he considered his greatest work, Emperor and Galilean (1876), a 10-act 'double drama' based on the life of Julian the Apostate. It has seldom been revived.
The first of his four social plays, the works that represent the essence of Ibsenism, was Pillars of Society (1877). This was followed by A Doll's House (1879), which remains the most widely performed of his works, Ghosts (1881), which uses sexually transmitted disease as a symbol of the guilt of a corrupt society, and An Enemy of the People (1882). Hedda Gabler (1890) explores the isolation of the individual, while The Master Builder (1892) focuses on the psychology of the artist.