The Russian composer Yevgeny Zemtsov (1940-2016) may be better known for the dynasty of musicians - most of them violists - that he fathered than he is for his own music. This first album ever to be devoted to his music features works from the beginning and end of his career: some early violin works, influenced by Tchaikovsky and Prokofiev, a Bartókian string quartet, three spirited and spiky piano miniatures, an oblique piano elegy and five late, enigmatic, almost ritualistic settings of Japanese haikus. Late in life, too, he discovered a fascination with tango, and the album also features his elegant arrangements for string quartet and quintet of two Piazzolla favorites.
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The Russian composer Yevgeny Zemtsov (1940-2016) may be better known for the dynasty of musicians - most of them violists - that he fathered than he is for his own music. This first album ever to be devoted to his music features works from the beginning and end of his career: some early violin works, influenced by Tchaikovsky and Prokofiev, a Bartókian string quartet, three spirited and spiky piano miniatures, an oblique piano elegy and five late, enigmatic, almost ritualistic settings of Japanese haikus. Late in life, too, he discovered a fascination with tango, and the album also features his elegant arrangements for string quartet and quintet of two Piazzolla favorites.
