Amazing jazz interpretations of songs of Nirvana, Klaus Doldinger, Grace Jones, Black Sabbath, Jimi Hendrix, Talking Heads, Grandbrothers, Dave Pike, Empire Of The Sun, Joe Jackson, Eurythmics, Kruder & Dorfmeister. WEB WEB is starting a new chapter with Kover Kover. For the first time in the band's ten-year history, the focus is not on original compositions, but exclusively on cover versions - a radical change of perspective that seems entirely consistent. The musicians' stylistic openness inevitably led to an intriguing question: what would songs by Talking Heads, Kruder & Dorfmeister or Joe Jackson sound like if they had originally been penned by WEB WEB? The answer was obvious - you just had to put these pieces through the distinctive WEB WEB cosmos. The idea: to interpret favorite songs from completely different musical worlds in such a way that they fit organically into one's own musical language. The amazing thing is that it wasn't particularly difficult. Because a really good song can be reduced to two essential components - a melody that you can sing along to and a harmonic structure that remains instantly recognisable even in it's simplest form.
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Amazing jazz interpretations of songs of Nirvana, Klaus Doldinger, Grace Jones, Black Sabbath, Jimi Hendrix, Talking Heads, Grandbrothers, Dave Pike, Empire Of The Sun, Joe Jackson, Eurythmics, Kruder & Dorfmeister. WEB WEB is starting a new chapter with Kover Kover. For the first time in the band's ten-year history, the focus is not on original compositions, but exclusively on cover versions - a radical change of perspective that seems entirely consistent. The musicians' stylistic openness inevitably led to an intriguing question: what would songs by Talking Heads, Kruder & Dorfmeister or Joe Jackson sound like if they had originally been penned by WEB WEB? The answer was obvious - you just had to put these pieces through the distinctive WEB WEB cosmos. The idea: to interpret favorite songs from completely different musical worlds in such a way that they fit organically into one's own musical language. The amazing thing is that it wasn't particularly difficult. Because a really good song can be reduced to two essential components - a melody that you can sing along to and a harmonic structure that remains instantly recognisable even in it's simplest form.
