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The Women of Troy

The Women of Troy - Paperback

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Availability:Out of StockContributor:Euripides, Jenny Stevens, Don TaylorSeries:Student EditionsTheme:Chronological Period/Ancient (To 499 A.D.)Publish date:2024-06-27Pages:96
Languages:EnglishPublisher:Methuen DramaISBN-13:9781350358324ISBN-10:1350358320UPC:9781350358324Book Category:Drama, Performing ArtsBook Subcategory:Ancient & Classical, TheaterBook Topic:History & CriticismSize:7.40 x 4.70 x 0.30 inchesWeight:0.2Product ID:SCA20QF7GR
Languages:EnglishPublisher:Methuen DramaISBN-13:9781350358324ISBN-10:1350358320UPC:9781350358324Book Category:Drama, Performing ArtsBook Subcategory:Ancient & Classical, TheaterBook Topic:History & CriticismSize:7.40 x 4.70 x 0.30 inchesWeight:0.2Product ID:SCA20QF7GR

Euripides was born near Athens between 485 and 480 BC. His first play was presented in 455 BC and he wrote some hundred altogether of which nineteen survive - a greater number than those of Aeschylus and Sophocles combined - and which include Alkestis, Medea, Bacchae, Hippolytos, Ion and Iphigenia at Aulis. He died in 406 BC.

Don Taylor (1936-2003) was a playwright and poet, and a director of theatre, television and radio plays. He worked as drama director at the BBC, and between 1960 and 1990, he directed nearly a hundred television plays. He translated and directed for BBC Television the Theban plays of Sophocles - Oedipus the King, Antigone and Oedipus at Colonus. He followed this with translations of three Euripides war plays - Iphigenia at Aulis, The Women of Troy and Helen. He was co-director of Compass Theatre for while and set up First Writes Radio with Ellen Dryden. Don Taylor's many stage plays include The Roses of Eyam, The Exorcism, Daughters of Venice, Brotherhood, When the Actors Come, Retreat from Moscow, When the Barbarians Came and his last play The Road to the Sea.

Emma Cole is Senior Lecturer at the University of Queensland, Australia. She is a classicist and a theatre and performance studies scholar. Her area of expertise lies in the performance of Greek tragedy in contemporary theatre and she has published extensively on this topic, as well as having worked in collaboration with various theatre companies and practitioners on related creative outputs.
Publisher: Methuen Drama

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