The Evolution of the Dragon - Paperback

"T he Evolution of the Dragon" by G. Elliot Smith is a scholarly examination of ancient mythological and cultural developments, likely composed in the early 20th century. The work focuses on the complex origins of dragon myths, exploring their connections to ancient Egyptian practices, primarily mummification and the life-giving attributes of water. The author delves into wide-ranging topics, drawing correlations between various deities, myths, and cultural practices across civilizations. The opening of the work serves as an introduction to the author's lectures presented at the John Rylands Library, outlining his intent to weave together a narrative concerning the evolution of dragon mythology. Smith discusses the origins of significant cultural practices such as the burning of incense and libations, illustrating how they have far more intricate histories than commonly assumed. He posits that much of early civilization's religious and political structures stem from a combination of practical needs and the symbolic interpretation of life, death, and the natural world, setting the stage for a deeper investigation into the mythology of dragons and their significance in human culture.

h orns of consecration"was primarily the split mountain of the dawn, I was not aware that Professor Newberry ("Two Cults of the Old Kingdom," Annals of Archaeology and Anthropology, Liverpool, Vol. I, 1908, p. 28) had already suggested this identification.] In the Egyptian story the god Re instructed the Sekti of Heliopolis to pound the materials for the food of immortality. In the Indian version, the gods, aware of their mortality, desired to discover some elixir which would make them immortal. To this end, Mount Meru [the Great Mother] was cast into the sea [of milk]. Vishnu, in his second avatar as a tortoise[351] supported the mountain on his back; and the Naga serpent Vasuki was then twisted around the mountain, the gods seizing its head and the demons his tail twirled the mountain until they had churned the amrita or water of life. Wilfrid Jackson has called attention to the fact that this scene has been de-