Symphonic Spectacles: Form, Identity, and Hybridity in the Early Twentieth Century
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Availability:In StockContributor:Sam ReenanSeries:Oxford Studies in Music TheoryPublish date:2025-05-23Pages:328
Language:EnglishPublisher:Oxford University PressISBN-13:9780197691083ISBN-10:197691080UPC:9780197691083Book Category:MusicBook Subcategory:Genres & Styles, History & Criticism, EthnomusicologyBook Topic:ClassicalSize:8.90 x 6.40 x 1.10 inchesWeight:1.3514Product ID:SC5E60DXK3
Symphonic Spectacles: Form, Identity, and Hybridity in the Early Twentieth Century
Symphonic music of the early twentieth century reflects the complex, cosmopolitan world it inhabited. In a time of waning empire, rising nationalism, and heightened sexual politics, composers in Germany, Britain, and America drew upon the compositional resources of tradition to create intensely personal symphonic spectacles. The hybrid symphonic works that flourished in this period mixed musical...
Language:EnglishPublisher:Oxford University PressISBN-13:9780197691083ISBN-10:197691080UPC:9780197691083Book Category:MusicBook Subcategory:Genres & Styles, History & Criticism, EthnomusicologyBook Topic:ClassicalSize:8.90 x 6.40 x 1.10 inchesWeight:1.3514Product ID:SC5E60DXK3
Sam Reenan is Assistant Professor of Music Theory at Miami University (Oxford, OH, USA). His work examines issues of musical form, narrative, and reception history as they intersect with aspects of identity and cultural constructions of meaning.
Publisher: Oxford University Press
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