Kelly Sulick currently teaches at the University of Virginia and serves as Principal Flute in the Charlottesville Symphony. Prior to her appointment, she served as Principal Flute with the Evansville Philharmonic Orchestra and as Consortium Instructor of Flute at the University of Evansville for three years. She earned her Master of Music degree in Flute Performance from the University of Southern California; prior to her graduate studies, she earned a Bachelor of Music degree in Flute Performance and a Bachelor of Arts degree in English Language and Literature from the University of Michigan, where she graduated with highest honors and was named a James B. Angell Scholar for her academic achievements. Pianist John Mayhood enjoys a busy performance schedule that in recent seasons has taken him across the North America and Europe in a wide variety of solo and collaborative settings and in repertoire that spans from the English virginalists to music of the present day. His concerts often explore the works of a single composer, combining solo piano and chamber music - he has dedicated complete evenings to the works of Poulenc, Hindemith, Feldman, and Schubert, and to new works by emerging composers.
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Kelly Sulick currently teaches at the University of Virginia and serves as Principal Flute in the Charlottesville Symphony. Prior to her appointment, she served as Principal Flute with the Evansville Philharmonic Orchestra and as Consortium Instructor of Flute at the University of Evansville for three years. She earned her Master of Music degree in Flute Performance from the University of Southern California; prior to her graduate studies, she earned a Bachelor of Music degree in Flute Performance and a Bachelor of Arts degree in English Language and Literature from the University of Michigan, where she graduated with highest honors and was named a James B. Angell Scholar for her academic achievements. Pianist John Mayhood enjoys a busy performance schedule that in recent seasons has taken him across the North America and Europe in a wide variety of solo and collaborative settings and in repertoire that spans from the English virginalists to music of the present day. His concerts often explore the works of a single composer, combining solo piano and chamber music - he has dedicated complete evenings to the works of Poulenc, Hindemith, Feldman, and Schubert, and to new works by emerging composers.
