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Spiritual Moderns: Twentieth-Century American Artists and Religion

Spiritual Moderns: Twentieth-Century American Artists and Religion - Hardcover

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Availability:Out of StockContributor:Erika DossPublish date:2023-05-03Pages:352
Languages:EnglishPublisher:University of Chicago PressISBN-13:9780226820910ISBN-10:226820912UPC:9780226820910Book Category:ArtBook Subcategory:History, Subjects & ThemesBook Topic:Modern (Late 19th Century to 1945), ReligiousSize:10.00 x 6.90 x 1.10 inchesWeight:2.2024Product ID:SCC9ASSSAA
Examines how and why religion matters in the history of modern American art.

Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art.

Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá'í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Languages:EnglishPublisher:University of Chicago PressISBN-13:9780226820910ISBN-10:226820912UPC:9780226820910Book Category:ArtBook Subcategory:History, Subjects & ThemesBook Topic:Modern (Late 19th Century to 1945), ReligiousSize:10.00 x 6.90 x 1.10 inchesWeight:2.2024Product ID:SCC9ASSSAA
Erika Doss is an art historian whose books include Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism; Spirit Poles and Flying Pigs: Public Art and Cultural Democracy; Memorial Mania: Public Feeling in America; and American Art of the 20th-21st Centuries. Doss is Distinguished Chair in the Edith O'Donnell Institute of Art History at the University of Texas, Dallas.

Publisher: University of Chicago Press

Contributor(s)

Erika Doss

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