Caprice, being a virtuoso form, mainly for a solo instrument, dates back to the 19th century. In these times, instrumentalists were frequently also composers - they would create pieces adapted to their abilities and the caprice was the most virtuosic genre among them. It is also the main topic of this album. The caprices by Alfredo Piatti, recognized by Yehudi Menuhin as the cello's New Testament, are fraught with difficulties, but there are plenty of beautiful and varied melodies and counterpoints using almost all possibilities of the cello. To Anna Wróbel, Piatti is more than virtuosity of the caprices, it is also captivating chamber music of varied atmosphere, interpreted and arranged (Andrzej Wróbel), in a family ensemble, for two and three cellos. Anna Wróbel is a soloist, chamber musician, and teacher. She graduated in 2005 with honors from the Academy of Music Fr. Chopin in Warsaw in the class of professor Andrzej Wróbel. In 2012 she received her Doctor of Musical Arts from the same school.
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Caprice, being a virtuoso form, mainly for a solo instrument, dates back to the 19th century. In these times, instrumentalists were frequently also composers - they would create pieces adapted to their abilities and the caprice was the most virtuosic genre among them. It is also the main topic of this album. The caprices by Alfredo Piatti, recognized by Yehudi Menuhin as the cello's New Testament, are fraught with difficulties, but there are plenty of beautiful and varied melodies and counterpoints using almost all possibilities of the cello. To Anna Wróbel, Piatti is more than virtuosity of the caprices, it is also captivating chamber music of varied atmosphere, interpreted and arranged (Andrzej Wróbel), in a family ensemble, for two and three cellos. Anna Wróbel is a soloist, chamber musician, and teacher. She graduated in 2005 with honors from the Academy of Music Fr. Chopin in Warsaw in the class of professor Andrzej Wróbel. In 2012 she received her Doctor of Musical Arts from the same school.
