
Imaging the Great Irish Famine: Representing Dispossession in Visual Culture - Hardcover
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Availability:In StockContributor:Niamh Ann KellySeries:International Library of Visual CultureTheme:Chronological Period/19th Century, Cultural Region/IrelandPublish date:7/30/2018Pages:320
Languages:EnglishPublisher:I. B. Tauris & CompanyISBN-13:9781784537104ISBN-10:1784537101UPC:9781784537104Book Category:History, Social ScienceBook Subcategory:Europe, Modern, AnthropologyBook Topic:Ireland, 19th Century, Cultural & SocialSize:8.60 x 5.60 x 1.10 inchesWeight:0.522Product ID:SC8EBC5G0Z
The depiction of historical humanitarian disasters in art exhibitions, news reports, monuments and heritage landscapes has framed the harrowing images we currently associate with dispossession. People across the world are driven out of their homes and countries on a wave of conflict, poverty and famine, and our main sites for engaging with their loss are visual news and social media. In a reappraisal of the viewer's role in representations of displacement, Niamh Ann Kelly examines a wide range of commemorative visual culture from the mid-nineteenth-century Great Irish Famine. Her analysis of memorial images, objects and locations from that period until the early 21st century shows how artefacts of historical trauma can affect understandings of enforced migrations as an ongoing form of political violence. This book will be of interest to students and researchers of museum and heritage studies, material culture, Irish history and contemporary visual cultures exploring dispossession.
Languages:EnglishPublisher:I. B. Tauris & CompanyISBN-13:9781784537104ISBN-10:1784537101UPC:9781784537104Book Category:History, Social ScienceBook Subcategory:Europe, Modern, AnthropologyBook Topic:Ireland, 19th Century, Cultural & SocialSize:8.60 x 5.60 x 1.10 inchesWeight:0.522Product ID:SC8EBC5G0Z
Niamh Ann Kelly was born in Galway and is a lecturer in Visual Culture at the Dublin School of Creative Arts, Dublin Institute of Technology, Ireland. At the National College of Art and Design, Dublin, she studied Fine Art Painting and the History of Art at BA level and the History of Art at MA level by research. She received her PhD at the Amsterdam School for Cultural Analysis, University of Amsterdam. She has published widely on her ongoing research interests of contemporary art, the history of art and commemorative visual cultures of monuments, museums and heritage practices.
Publisher: I. B. Tauris & Company
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