'Timoka' is an all instrumental album from Ross Goldstein featuring 11 compositions created using a Mellotron exclusively. It is a companion piece (volume 2) to 'The 8th House' and like that album it is inspired by cinema and film soundtracksWhile plenty of homage has been paid to the anxiety-heavy synthy soundtracks of 70's b-movie horror flicks or the acid rock freak outs that soundtracked movies from the early days hippie subculture, The Eighth House goes in a very different direction. More than those popular entry points, the music here is subdued and slow-moving, curiously inspecting ideas as the album moves through various fantastical passages. Even when cartoonish sound effects meet with tense swells of strings or dramatic orchestral flourishes (early Chamberlin models recorded their sounds using players of the Lawrence Welk Orchestra, no less!), the result is never garish but always patient and communicative. Bells ring in the distance, memories and possibilities are implied but left open to interpretation and strange but friendly sounds linger for just a moment before melting into something else. The result is a muted and wintery paradise that envisions Smile-era Brian Wilson scoring the softer moments of a Jodorowsky film.1 Obsidian Cat2 Tiptoes In The Foam3 Spooky Actions4 Lunar Day5 Gretchen6 Pink Broom7 Obsidian Cat II8 Bas Relief9 Mark II10 Ptyx11 Double Solitaire
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'Timoka' is an all instrumental album from Ross Goldstein featuring 11 compositions created using a Mellotron exclusively. It is a companion piece (volume 2) to 'The 8th House' and like that album it is inspired by cinema and film soundtracksWhile plenty of homage has been paid to the anxiety-heavy synthy soundtracks of 70's b-movie horror flicks or the acid rock freak outs that soundtracked movies from the early days hippie subculture, The Eighth House goes in a very different direction. More than those popular entry points, the music here is subdued and slow-moving, curiously inspecting ideas as the album moves through various fantastical passages. Even when cartoonish sound effects meet with tense swells of strings or dramatic orchestral flourishes (early Chamberlin models recorded their sounds using players of the Lawrence Welk Orchestra, no less!), the result is never garish but always patient and communicative. Bells ring in the distance, memories and possibilities are implied but left open to interpretation and strange but friendly sounds linger for just a moment before melting into something else. The result is a muted and wintery paradise that envisions Smile-era Brian Wilson scoring the softer moments of a Jodorowsky film.1 Obsidian Cat2 Tiptoes In The Foam3 Spooky Actions4 Lunar Day5 Gretchen6 Pink Broom7 Obsidian Cat II8 Bas Relief9 Mark II10 Ptyx11 Double Solitaire
