Saxophonist, composer, and bandleader Tia Fuller uses the process of diamonds forming under four levels of extreme pressure and heat as a metaphor for the time she spent honing her artistic craft. When looking up the term 'diamond cut,' you'll learn that it was not necessarily pertaining to the shape but to the proportioning and the balance as to which the highest amount of light is reflected through the diamond. The process serves as a direct correlation to her teaching and playing. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel.
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Saxophonist, composer, and bandleader Tia Fuller uses the process of diamonds forming under four levels of extreme pressure and heat as a metaphor for the time she spent honing her artistic craft. When looking up the term 'diamond cut,' you'll learn that it was not necessarily pertaining to the shape but to the proportioning and the balance as to which the highest amount of light is reflected through the diamond. The process serves as a direct correlation to her teaching and playing. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel.
