Laura Catrani writes: "My first concert for the unaccompanied voice was Vox in Femina (2010), in which I brought together some of the great twentieth-century and contemporary composers. Vox in Bestia is a natural progression of that work. The idea came about in 2020, in the midst of the pandemic. I was thinking about a new project for a solo voice when I came across the universe of fantastical animals and medieval bestiaries. I was also thinking about Dante's upcoming anniversary. And that is when the idea came to me: I could create a Dante-esque bestiary, a sort of exploration of the real and fantastical animals found in The Divine Comedy, observed and perceived through the prism of my voice. I brought together the composers Fabrizio de Rossi Re, Matteo Franceschini and Alessandro Solbiati, asking each of them to compose five short pieces for a solo voice inspired by Dante's tercets that talk about animals. They were to compose in their own style, based on their individual personalities and sensibilities. A narrative line by a distinguished voice of contemporary Italian literature would be interwoven alongside them. I felt that Tiziano Scarpa was the perfect writer - he is imaginative and at the same time rooted and concrete - so I asked him to write a sort of literary commentary to Dante's verses."
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Laura Catrani writes: "My first concert for the unaccompanied voice was Vox in Femina (2010), in which I brought together some of the great twentieth-century and contemporary composers. Vox in Bestia is a natural progression of that work. The idea came about in 2020, in the midst of the pandemic. I was thinking about a new project for a solo voice when I came across the universe of fantastical animals and medieval bestiaries. I was also thinking about Dante's upcoming anniversary. And that is when the idea came to me: I could create a Dante-esque bestiary, a sort of exploration of the real and fantastical animals found in The Divine Comedy, observed and perceived through the prism of my voice. I brought together the composers Fabrizio de Rossi Re, Matteo Franceschini and Alessandro Solbiati, asking each of them to compose five short pieces for a solo voice inspired by Dante's tercets that talk about animals. They were to compose in their own style, based on their individual personalities and sensibilities. A narrative line by a distinguished voice of contemporary Italian literature would be interwoven alongside them. I felt that Tiziano Scarpa was the perfect writer - he is imaginative and at the same time rooted and concrete - so I asked him to write a sort of literary commentary to Dante's verses."
