
Film Noir and the Arts of Lighting - Paperback
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Availability:Out of StockContributor:Patrick KeatingSeries:Techniques of the Moving ImagePublish date:2024-07-12Pages:266
Languages:EnglishPublisher:Rutgers University PressISBN-13:9781978810259ISBN-10:1978810253UPC:9781978810259Book Category:Performing Arts, ArtBook Subcategory:Film, Popular CultureBook Topic:History & CriticismSize:9.20 x 6.10 x 0.70 inchesWeight:1.0009Product ID:SCXC39GMRM
More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong Number, Odds against Tomorrow, The Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.
Languages:EnglishPublisher:Rutgers University PressISBN-13:9781978810259ISBN-10:1978810253UPC:9781978810259Book Category:Performing Arts, ArtBook Subcategory:Film, Popular CultureBook Topic:History & CriticismSize:9.20 x 6.10 x 0.70 inchesWeight:1.0009Product ID:SCXC39GMRM
PATRICK KEATING is a professor in the Department of Communication at Trinity University in San Antonio, Texas. He is the author of The Dynamic Frame: Camera Movement in Classical Hollywood and the editor of Cinematography (Rutgers University Press).
Publisher: Rutgers University Press
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