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Early Film Theories in Italy, 1896-1922

Early Film Theories in Italy, 1896-1922 - Paperback

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Languages:EnglishPublisher:RoutledgeISBN-13:9789089648556ISBN-10:9089648550UPC:9789089648556Book Category:Performing Arts, HistoryBook Subcategory:Film, EuropeBook Topic:History & Criticism, ItalySize:9.10 x 6.10 x 1.20 inchesWeight:0.781Product ID:SCF6KT281Z
An exploration of Italian culture in transition during the advent of cinema, as this 'scandalous' new technology appeared poised to thoroughly change everyday life.
Languages:EnglishPublisher:RoutledgeISBN-13:9789089648556ISBN-10:9089648550UPC:9789089648556Book Category:Performing Arts, HistoryBook Subcategory:Film, EuropeBook Topic:History & Criticism, ItalySize:9.10 x 6.10 x 1.20 inchesWeight:0.781Product ID:SCF6KT281Z

Francesco Casetti is the Thomas E. Donnelly Professor of Humanities and Film and Media Studies at Yale University.
Silvio Alovisio is Assistant Professor of Film at University of Torino. He is extensively working on Italian silent cinema and early film theories. He is the author of some ten essays and books, among which The 'Pastrone System': Itala Film from the Origins to World War 1, and L'occhio sensibile (The Responsive Eye) on cinema and psycho/physiology.Luca Mazzei is Ph.D. Assistant Professor of Film at University of Roma Tor Vergata. He currently works on early film theories, novels on film, and the role of cinema during the war against the Ottoman Empire (1911). He is the co-editor of Lucio d'Ambra il cinema (co-ed. with A. Aprà) and Microteorie. Cinema Muto Italiano (co-ed. with L. Quaresima).


Publisher: Routledge

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