Death Angels: San Francisco's Zebra Murders, 1973-1974 - Paperback
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Death Angels: San Francisco's Zebra Murders, 1973-1974
In the autumn of 1973, a city that prided itself on tolerance and progressive idealism became the hunting ground for one of the most organized and ideologically driven murder campaigns in American history. Over one hundred and seventy-nine days, a cell of radicalized men calling themselves Death Angels - operating out of a moving company on Market Street and drawing their theological warrant from a distorted interpretation of Nation of Islam doctrine - killed at least fifteen people and wounded eight others on the streets of San Francisco. Their victims were chosen for one reason only: the color of their skin.
Death Angels tells the full story of the Zebra murders - the terror, the investigation, the constitutional crisis of Operation Zebra's mass racial profiling, and the year-long trial that sent four men to prison for life. Drawing on the trial record of People v. Cooks, the memoir of the investigation's lead detective Prentice Earl Sanders, and Clark Howard's foundational account, Conrad McKelly reconstructs not only the crimes but the city they nearly broke: its empty streets, its fractured institutions, its slow and incomplete recovery. This is narrative history at its most urgent - a case that anticipated every debate about domestic terrorism, racial profiling, and civil liberties that America is still having today.
Conrad McKelly is an Irish writer of narrative nonfiction currently based in the United States. Born and raised in Ireland, he brings to American subjects the perspective of an outsider who has spent years studying the intersections of race, law, and institutional power that shape the American city. His work sits at the boundary between true crime and social history, combining the narrative drive of the best investigative journalism with the analytical depth of serious scholarship.
McKelly is particularly drawn to cases that illuminate larger structural failures - investigations where the crime itself becomes a lens through which the reader can examine the institutions, ideologies, and communities that surround it. Death Angels is his most ambitious work to date, reconstructing not merely the Zebra murders but the social and constitutional landscape of a city at the furthest edge of its own contradictions. He is currently at work on his next project in American criminal history.
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