It was once said that listening to Antiphonals was, "like listening to a progressive rock album except it's just the keyboard parts." As the second full-length LP on Late Music, Davachi offers here a slow and sedate solo affair composed with the various horns and woodwinds of the mellotron alongside organs, pianos, harpsichord, and more quiet delights. All tracks composed, performed, recorded, mixed, and produced by Sarah Davachi (SOCAN), February - December 2020Mastered by Sean McCann1 - Chorus Scene - 2:472 - Magdalena - 10:193 - First Cadence - 5:574 - Gradual of Image - 3:095 - Border of Mind - 5:536 - Abeyant - 7:127 - Rushes Recede - 6:358 - Doubled Flutes - 2:19
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It was once said that listening to Antiphonals was, "like listening to a progressive rock album except it's just the keyboard parts." As the second full-length LP on Late Music, Davachi offers here a slow and sedate solo affair composed with the various horns and woodwinds of the mellotron alongside organs, pianos, harpsichord, and more quiet delights. All tracks composed, performed, recorded, mixed, and produced by Sarah Davachi (SOCAN), February - December 2020Mastered by Sean McCann1 - Chorus Scene - 2:472 - Magdalena - 10:193 - First Cadence - 5:574 - Gradual of Image - 3:095 - Border of Mind - 5:536 - Abeyant - 7:127 - Rushes Recede - 6:358 - Doubled Flutes - 2:19
