Critical Race Theory and Copyright in American Dance: Whiteness as Status Property - Paperback
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Languages:EnglishPublisher:Palgrave MacMillanISBN-13:9781349458196ISBN-10:1349458198UPC:9781349458196Book Category:Law, Performing Arts, Social ScienceBook Subcategory:Intellectual Property, Dance, Cultural & Ethnic StudiesBook Topic:CopyrightSize:8.50 x 5.50 x 0.54 inchesWeight:0.3Product ID:SCP0WZNKZJ
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
Languages:EnglishPublisher:Palgrave MacMillanISBN-13:9781349458196ISBN-10:1349458198UPC:9781349458196Book Category:Law, Performing Arts, Social ScienceBook Subcategory:Intellectual Property, Dance, Cultural & Ethnic StudiesBook Topic:CopyrightSize:8.50 x 5.50 x 0.54 inchesWeight:0.3Product ID:SCP0WZNKZJ
Caroline Joan (Kay) S. Picart, formerly a tenured associate professor of English and Humanities at Florida State University, is a joint Juris Doctor-MA Candidate (WST) at the University of Florida Levin College of Law and an adjunct professor of Humanities at Santa Fe College.
Publisher: Palgrave MacMillan
Edition
2013 Edition
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