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Cold War Art Worlds: South Asian Art and Artists in Prague, 1947-1989

Cold War Art Worlds: South Asian Art and Artists in Prague, 1947-1989 - Paperback

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Availability:In StockContributor:Simone WilleTheme:Chronological Period/20th Century, Cultural Region/AsianPublish date:12/15/2025Pages:320
Languages:EnglishPublisher:Leuven University PressISBN-13:9789462704701ISBN-10:9462704708UPC:9789462704701Book Category:Art, HistoryBook Subcategory:History, Asian, ModernBook Topic:20th & 21st Century, Indian & South Asian, 20th CenturySize:9.21 x 6.14 x 0.76 inchesWeight:0.527Product ID:SC3DTC6VFW

Prague as a vital Cold War hub for South Asian artists

During the Cold War, the Central-European capital of Prague, alongside other locations in the polarized post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasizing cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarization between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonization that rejected rigid systemic alignment in favor of participation across blocs by prioritizing migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies.

Ebook available in Open Access.

Languages:EnglishPublisher:Leuven University PressISBN-13:9789462704701ISBN-10:9462704708UPC:9789462704701Book Category:Art, HistoryBook Subcategory:History, Asian, ModernBook Topic:20th & 21st Century, Indian & South Asian, 20th CenturySize:9.21 x 6.14 x 0.76 inchesWeight:0.527Product ID:SC3DTC6VFW

Simone Wille is Elise Richter Fellow at the University of Innsbruck, Institute of Art History.


Publisher: Leuven University Press

Contributor(s)

Simone Wille

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