Description
A smart and sexy modern noir set in the steamy underbelly of 21st century Hollywood. Billy Rosenberg is a workmanlike screenwriter who finds his fate intertwined with would-be starlet Vincenza Morgan in this fiendish and sharp tale of a city where Image always trumps Reality. Filled with plot twists, wicked humor, and vivid commentary on celebrity culture, author Jonathan Leaf has skillfully crafted a compelling romp which manages to weave murder, drugs, sex cults, modern relationships, and naked ambition together into a tale that lays bare the real Los Angeles--a city where even the angels have an angle.
About the Author
Jonathan Leaf is a playwright and journalist. His drama Pushkin was selected as one of the four best plays of 2018 by the Wall Street Journal. He has been nominated in the Innovative Theater (IT) Awards for Best Play of the Year for The Caterers and has received rave reviews for his work in the New Yorker, the Wall Street Journal, the New York Daily News, the New Criterion, BroadwayWorld, Show Business Weekly, National Review, and many other publications. Since March 2017, he has premiered five new plays in New York, San Francisco, and Paris. As a journalist and critic, his writing has been featured in National Review, the Daily Beast, Spectator (USA), Tablet, Mosaic, the New York Post, New York Press, City Journal, Humanities, the Weekly Standard, Modern Age, First Things, The American, The American Conservative, the New York Sun, and many other publications.
About the Author
Jonathan Leaf is a playwright and journalist. His drama Pushkin was selected as one of the four best plays of 2018 by the Wall Street Journal. He has been nominated in the Innovative Theater (IT) Awards for Best Play of the Year for The Caterers and has received rave reviews for his work in the New Yorker, the Wall Street Journal, the New York Daily News, the New Criterion, BroadwayWorld, Show Business Weekly, National Review, and many other publications. Since March 2017, he has premiered five new plays in New York, San Francisco, and Paris. As a journalist and critic, his writing has been featured in National Review, the Daily Beast, Spectator (USA), Tablet, Mosaic, the New York Post, New York Press, City Journal, Humanities, the Weekly Standard, Modern Age, First Things, The American, The American Conservative, the New York Sun, and many other publications.
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