Language:EnglishPublisher:University Press of FloridaISBN-13:9780813032269ISBN-10:813032261UPC:9780813032269Book Category:Performing ArtsBook Subcategory:DanceBook Topic:Classical & BalletSize:8.97 x 6.27 x 0.32 inchesWeight:0.5203Product ID:SCNWRFMA5H
The literature on Balanchine is vast, but it is primarily biographical. Balanchine Variations is the first book to concentrate on the ballets themselves, providing critical analysis and detailed descriptions of what the dancers actually do. Beginning with Apollo (1928), Balanchine's first extant work, and ending with one of his last ballets, Ballo della Regina (1978), Nancy Goldner offers detailed insights into more than twenty individual ballets. Based on lectures given across the United States, under the auspices of the Balanchine Foundation, they are intended to illuminate his art. Goldner discusses the history of each ballet, places each in the context of Balanchine's life and sensibility. She also addresses his taste in music and whether his style can be considered particularly American. The ballets Balanchine choreographed for the New York City Ballet are danced by companies around the world, and this innovative book is sure to become an indispensable guide to dancers and spectators alike.
Language:EnglishPublisher:University Press of FloridaISBN-13:9780813032269ISBN-10:813032261UPC:9780813032269Book Category:Performing ArtsBook Subcategory:DanceBook Topic:Classical & BalletSize:8.97 x 6.27 x 0.32 inchesWeight:0.5203Product ID:SCNWRFMA5H
Nancy Goldner is a former dance critic for the Christian Science Monitor, The Nation, the Philadelphia Inquirer, and Dance News. She is the author of The Story of Coppélia (with Lincoln Kirstein) and The Stravinsky Festival of the New York City Ballet. As a child, she studied at the School of American Ballet, founded by Balanchine, and watched performances by his company, the New York City Ballet, almost from its inception in 1948.
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The literature on Balanchine is vast, but it is primarily biographical. Balanchine Variations is the first book to concentrate on the ballets themselves, providing critical analysis and detailed descriptions of what the dancers actually do. Beginning with Apollo (1928), Balanchine's first extant work, and ending with one of his last ballets, Ballo della Regina (1978), Nancy Goldner offers detailed insights into more than twenty individual ballets. Based on lectures given across the United States, under the auspices of the Balanchine Foundation, they are intended to illuminate his art. Goldner discusses the history of each ballet, places each in the context of Balanchine's life and sensibility. She also addresses his taste in music and whether his style can be considered particularly American. The ballets Balanchine choreographed for the New York City Ballet are danced by companies around the world, and this innovative book is sure to become an indispensable guide to dancers and spectators alike.
Nancy Goldner is a former dance critic for the Christian Science Monitor, The Nation, the Philadelphia Inquirer, and Dance News. She is the author of The Story of Coppélia (with Lincoln Kirstein) and The Stravinsky Festival of the New York City Ballet. As a child, she studied at the School of American Ballet, founded by Balanchine, and watched performances by his company, the New York City Ballet, almost from its inception in 1948.
