Johann Sebastian Bach has always been considered one of the greatest music transcribers of all times. Many of his transcriptions (mostly the ones from Italian composers Vivaldi and Marcello) have become instant classics, and they are still viewed as masterpieces of the baroque repertoire. Bach has always been very active as a transcriber of his own music too. His masterful transcription of his Sonata for viola da gamba & keyboard No. 1, which he transformed into a trio for two flutes and continuo, has given the inspiration for this project. Tripla Concordia and Walter van Hauwe decided to transcribe even the other two Gamba Sonatas as Trio Sonatas, walking in Bach footsteps. In doing so, the members of the ensemble actually fulfilled their desire of offering a new listening experience of this set of sonatas, with fresh colors and textures. Tripla Concordia sincerely hopes that those new versions will cast a new light on these works, thus giving the listener the opportunity of discovering new details and fresh instrumental combinations. Transcriptions of other two Bach masterpieces, the Organ Sonata No. 3 (transcription by Sour Cream) and the Partita for Lute BWV 997, complete the recording.
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Johann Sebastian Bach has always been considered one of the greatest music transcribers of all times. Many of his transcriptions (mostly the ones from Italian composers Vivaldi and Marcello) have become instant classics, and they are still viewed as masterpieces of the baroque repertoire. Bach has always been very active as a transcriber of his own music too. His masterful transcription of his Sonata for viola da gamba & keyboard No. 1, which he transformed into a trio for two flutes and continuo, has given the inspiration for this project. Tripla Concordia and Walter van Hauwe decided to transcribe even the other two Gamba Sonatas as Trio Sonatas, walking in Bach footsteps. In doing so, the members of the ensemble actually fulfilled their desire of offering a new listening experience of this set of sonatas, with fresh colors and textures. Tripla Concordia sincerely hopes that those new versions will cast a new light on these works, thus giving the listener the opportunity of discovering new details and fresh instrumental combinations. Transcriptions of other two Bach masterpieces, the Organ Sonata No. 3 (transcription by Sour Cream) and the Partita for Lute BWV 997, complete the recording.
