Architectural Invention in Renaissance Rome - Hardcover
by Yvonne Elet
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Languages:EnglishPublisher:Cambridge University PressISBN-13:9781107130524ISBN-10:1107130522UPC:9781107130524Book Category:History, Architecture, ArtBook Subcategory:Europe, CriticismBook Topic:RenaissanceSize:10.20 x 7.20 x 1.50 inchesWeight:1.271Product ID:SCPTD45ZZ5
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Languages:EnglishPublisher:Cambridge University PressISBN-13:9781107130524ISBN-10:1107130522UPC:9781107130524Book Category:History, Architecture, ArtBook Subcategory:Europe, CriticismBook Topic:RenaissanceSize:10.20 x 7.20 x 1.50 inchesWeight:1.271Product ID:SCPTD45ZZ5
Elet, Yvonne: - Yvonne Elet is Associate Professor of Art History at Vassar College, New York. A specialist in Italian early modern art and architecture, her research focuses on Renaissance villa culture; integrated designs for art, architecture, and landscape; early modern stucco; and intersections among art, literature, science, and natural philosophy. Her articles appear in the Journal of the Society of Architectural Historians and I Tatti Studies in the Italian Renaissance. She has received grants from the Center for Advanced Studies in the Visual Arts, the Getty Research Institute, and the American Council of Learned Societies. She has also been a Fellow at the Metropolitan Metropolitan Museum of Art and at the Frick Collection, New York, as well as a visiting scholar at the Max-Planck-Institut für Wissenschaftsgeschichte, Berlin.
Publisher: Cambridge University Press
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