Los Angeles-based artist Sam Wilkes is known for his genre-defying solo work and collaborations in the experimental and jazz community. His debut release for Psychic Hotline, "I Know I'm Not Wrong" b/w "Learning to Fly," is part of the label's ongoing Singles Series.Stepping away from his bass guitar, Wilkes explores new territory on a borrowed Fender Stratocaster, lent to him by longtime friend Brian Robert Jones (Paramore, Vampire Weekend).On the very night he brought the guitar home, Wilkes recorded a live, loop-based version of Tom Petty's "Learning to Fly" in a single take, later layering in bass and background vocals. The whole thing started as an experiment; more about exploring an instrument than making a record.A few weeks later on his last night with the Strat, Wilkes recorded what would become the A-Side: his reimagining of Fleetwood Mac's "I Know I'm Not Wrong.""I just wanted to document what was happening without any other intention. Half of my time on bass is spent trying to make it sound not like a bass, so actually getting to play a different instrument felt incredibly liberating," says Wilkes.Both arrangements are intuitive and spontaneous. Captured without pretense, the result is a pair of understated songs, perfect for a summer drive.
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Los Angeles-based artist Sam Wilkes is known for his genre-defying solo work and collaborations in the experimental and jazz community. His debut release for Psychic Hotline, "I Know I'm Not Wrong" b/w "Learning to Fly," is part of the label's ongoing Singles Series.Stepping away from his bass guitar, Wilkes explores new territory on a borrowed Fender Stratocaster, lent to him by longtime friend Brian Robert Jones (Paramore, Vampire Weekend).On the very night he brought the guitar home, Wilkes recorded a live, loop-based version of Tom Petty's "Learning to Fly" in a single take, later layering in bass and background vocals. The whole thing started as an experiment; more about exploring an instrument than making a record.A few weeks later on his last night with the Strat, Wilkes recorded what would become the A-Side: his reimagining of Fleetwood Mac's "I Know I'm Not Wrong.""I just wanted to document what was happening without any other intention. Half of my time on bass is spent trying to make it sound not like a bass, so actually getting to play a different instrument felt incredibly liberating," says Wilkes.Both arrangements are intuitive and spontaneous. Captured without pretense, the result is a pair of understated songs, perfect for a summer drive.
