Language:EnglishPublisher:Cambridge University PressISBN-13:9781108842877ISBN-10:1108842879UPC:9781108842877Book Category:MusicBook Subcategory:Musical InstrumentsBook Topic:StringsSize:9.61 x 6.69 x 0.81 inchesWeight:1.6821Product ID:SCPPPZX75G
Interweaving a social history of string playing with a collective biography of its participants, this book identifies and maps the rapid nationwide development of activities around the violin family in Britain from the 1870s to about 1930. Highlighting the spread of string playing among thousands of people previously excluded from taking up a stringed instrument, it shows how an infrastructure for violin culture coalesced through an expanding violin trade, influential educational initiatives, growing concert life, new string repertoire, and the nascent entertainment and catering industries. Christina Bashford draws a freshly broad picture of string playing and its popularity, emphasizing grassroots activities, amateurs' pursuits, and everyday work in the profession's underbelly--an approach that allows many long-ignored lives to be recognized and untold stories heard. The book also explores the allure of stringed instruments, especially the violin, in Britain, analyzing and contextualizing how the instruments and their players, makers, and collectors were depicted and understood.
Language:EnglishPublisher:Cambridge University PressISBN-13:9781108842877ISBN-10:1108842879UPC:9781108842877Book Category:MusicBook Subcategory:Musical InstrumentsBook Topic:StringsSize:9.61 x 6.69 x 0.81 inchesWeight:1.6821Product ID:SCPPPZX75G
Bashford, Christina: - Christina Bashford is Professor of Musicology at the School of Music, University of Illinois. She has published extensively on string quartets and chamber music concerts in Britain and is author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (2007).
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Interweaving a social history of string playing with a collective biography of its participants, this book identifies and maps the rapid nationwide development of activities around the violin family in Britain from the 1870s to about 1930. Highlighting the spread of string playing among thousands of people previously excluded from taking up a stringed instrument, it shows how an infrastructure for violin culture coalesced through an expanding violin trade, influential educational initiatives, growing concert life, new string repertoire, and the nascent entertainment and catering industries. Christina Bashford draws a freshly broad picture of string playing and its popularity, emphasizing grassroots activities, amateurs' pursuits, and everyday work in the profession's underbelly--an approach that allows many long-ignored lives to be recognized and untold stories heard. The book also explores the allure of stringed instruments, especially the violin, in Britain, analyzing and contextualizing how the instruments and their players, makers, and collectors were depicted and understood.
Bashford, Christina: - Christina Bashford is Professor of Musicology at the School of Music, University of Illinois. She has published extensively on string quartets and chamber music concerts in Britain and is author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (2007).
