First recordings of Romantic-era piano miniatures by an overlooked figure among the "New Russian School" of composers known as "The Mighty Handful.""Irretrievably forgotten," wrote musicologist Richard Taruskin of César Cui (1835-1918). Long regarded as a dilettante, Cui combined a distinguished military career-as an engineer, expert in fortifications, and Moscow professor-with prolific writing as one of Russia's most formidable music critics. He was a crucial advocate for the nationalist ideals of Glinka and Mussorgsky, even as his own music revealed a more cosmopolitan voice, steeped in the lyricism of Chopin and Schumann.In this first volume of Cui's complete piano works, pianist Marco Rapetti presents music composed between 1877 and 1888, from the Trois morceaux, Op. 8, to the Trois mouvements de valse, Op. 41. The recording includes charming sets of mazurkas and serenades, as well as two major cycles: the Suite, Op. 21-dedicated to Franz Liszt-and the Pièces caractéristiques, Op. 40, dedicated to the Count and Countess de Mercy-Argenteau, tireless champions of Cui's music in Western Europe.Rapetti, acclaimed for his rediscovery of neglected Russian piano repertoire, has previously recorded Borodin and Lyadov for Brilliant Classics. His performances, described by Fanfare magazine as showing "perfect unanimity and a verve and élan that bring out all the vividness of the orchestral works," affirm his standing as a pianist uniquely suited to illuminate Cui's lyrical, poetic world.
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First recordings of Romantic-era piano miniatures by an overlooked figure among the "New Russian School" of composers known as "The Mighty Handful.""Irretrievably forgotten," wrote musicologist Richard Taruskin of César Cui (1835-1918). Long regarded as a dilettante, Cui combined a distinguished military career-as an engineer, expert in fortifications, and Moscow professor-with prolific writing as one of Russia's most formidable music critics. He was a crucial advocate for the nationalist ideals of Glinka and Mussorgsky, even as his own music revealed a more cosmopolitan voice, steeped in the lyricism of Chopin and Schumann.In this first volume of Cui's complete piano works, pianist Marco Rapetti presents music composed between 1877 and 1888, from the Trois morceaux, Op. 8, to the Trois mouvements de valse, Op. 41. The recording includes charming sets of mazurkas and serenades, as well as two major cycles: the Suite, Op. 21-dedicated to Franz Liszt-and the Pièces caractéristiques, Op. 40, dedicated to the Count and Countess de Mercy-Argenteau, tireless champions of Cui's music in Western Europe.Rapetti, acclaimed for his rediscovery of neglected Russian piano repertoire, has previously recorded Borodin and Lyadov for Brilliant Classics. His performances, described by Fanfare magazine as showing "perfect unanimity and a verve and élan that bring out all the vividness of the orchestral works," affirm his standing as a pianist uniquely suited to illuminate Cui's lyrical, poetic world.
