All 25 of these 1963-1967 tracks were generated by the mini-empire of Jerry Dennon, who recorded numerous Northwest bands for issue on his own labels or lease to others. Not one of these tunes made a national impact, and even if you have a good number of '60s garage anthologies on your shelves, you may well have heard of none of these bands, besides the Sonics and perhaps Don and the Goodtimes. As garage comps go, it's middle-of-the-pack, but respectable, aided by a concentration on original material rather than covers. Most Northwest bands - including most of those on this CD - were distinguished from other regions by a heavier R&B influence and lumpier backbeats, although they did pick up some accoutrements of the bluesier side of the British Invasion in fuzz guitar lines, harmonica, harmonies, Animals-/Them-style organs, and blustery vocals. There's nothing here that screams shoulda-been-hit (or even forgotten gem), but it pounds along pretty authoritatively, with some occasional eyebrow-raising weirdness, as in the Bards' cuckoo version of "My Generation," which is actually one of the best covers ever of this familiar standard. As far as some unusual pre-fame names, Larry Coryell is the guitarist on the Checkers' 1963 R&B instrumental "Black Cat," while the New Yorkers, one of the poppiest acts here on their 1967 single "Again," would evolve into the Hudson Brothers
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All 25 of these 1963-1967 tracks were generated by the mini-empire of Jerry Dennon, who recorded numerous Northwest bands for issue on his own labels or lease to others. Not one of these tunes made a national impact, and even if you have a good number of '60s garage anthologies on your shelves, you may well have heard of none of these bands, besides the Sonics and perhaps Don and the Goodtimes. As garage comps go, it's middle-of-the-pack, but respectable, aided by a concentration on original material rather than covers. Most Northwest bands - including most of those on this CD - were distinguished from other regions by a heavier R&B influence and lumpier backbeats, although they did pick up some accoutrements of the bluesier side of the British Invasion in fuzz guitar lines, harmonica, harmonies, Animals-/Them-style organs, and blustery vocals. There's nothing here that screams shoulda-been-hit (or even forgotten gem), but it pounds along pretty authoritatively, with some occasional eyebrow-raising weirdness, as in the Bards' cuckoo version of "My Generation," which is actually one of the best covers ever of this familiar standard. As far as some unusual pre-fame names, Larry Coryell is the guitarist on the Checkers' 1963 R&B instrumental "Black Cat," while the New Yorkers, one of the poppiest acts here on their 1967 single "Again," would evolve into the Hudson Brothers
