Native Nation Project - Paperback
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This three-play collection celebrates the vibrancy and vitality of modern Indigenous culture and draw attention to complex issues within the contemporary Native experience.
This latest volume from the acclaimed author of The Thanksgiving Play collects a trilogy of plays co-created with Cornerstone Theater Company as well as urban Native artists and culture bearers.
In Urban Rez, five interconnected stories depict members of a Native tribe in Los Angeles weighing the pros and cons of federal recognition.
Developed through talking circles with Indigenous peoples of Arizona, Native Nation is an immersive theatrical production that seeks to combat the erasure of Native people from wider American culture by telling the story of the land through the eyes of its original people.
Created with people of the Lakota and Dakota tribal nations, Wicoun centers on Áya and their brother Khoskalaka, who are already busy enough raising cousins and siblings while trying to graduate high school. Then the zombies arrive. When Áya summons a native superhero for help, they set off on a journey across the lands of the Oceti Sakowin.
Together, these plays explore a wide range of urgent issues that continue to affect Indigenous communities today, including assimilation, two-spirit identity, food equity, water rights, tribal sovereignty, broken treaties, genocide, and violation of sacred lands. They also celebrate a rich history and essential culture, telling stories by and for Native people.
His plays include 36 Yesses and Magic Fruit (Cornerstone); TOWN (Theatre Horizon); and south (Great Plains Theatre Commons). Directing credits include The Rivers Don't Know by James McManus (City Theatre Company); Highland Park is Here by Mark Valdez (Cornerstone and Latino Theatre Company's "Re: Encuentro 2021"); The Play You Want by Bernardo Cubria (The Road Theatre); Seize the King by Will Power (The Alliance); Larissa FastHorse's The Thanksgiving Play (The Geffen Playhouse) and Urban Rez (Cornerstone); and the just and the blind by Marc Bamuthi Joseph and composer Daniel Bernard Roumain (Carnegie Hall and The Kennedy Center). He is a professor of practice in English at Arizona State University.
Contributor(s)
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This three-play collection celebrates the vibrancy and vitality of modern Indigenous culture and draw attention to complex issues within the contemporary Native experience.
This latest volume from the acclaimed author of The Thanksgiving Play collects a trilogy of plays co-created with Cornerstone Theater Company as well as urban Native artists and culture bearers.
In Urban Rez, five interconnected stories depict members of a Native tribe in Los Angeles weighing the pros and cons of federal recognition.
Developed through talking circles with Indigenous peoples of Arizona, Native Nation is an immersive theatrical production that seeks to combat the erasure of Native people from wider American culture by telling the story of the land through the eyes of its original people.
Created with people of the Lakota and Dakota tribal nations, Wicoun centers on Áya and their brother Khoskalaka, who are already busy enough raising cousins and siblings while trying to graduate high school. Then the zombies arrive. When Áya summons a native superhero for help, they set off on a journey across the lands of the Oceti Sakowin.
Together, these plays explore a wide range of urgent issues that continue to affect Indigenous communities today, including assimilation, two-spirit identity, food equity, water rights, tribal sovereignty, broken treaties, genocide, and violation of sacred lands. They also celebrate a rich history and essential culture, telling stories by and for Native people.
His plays include 36 Yesses and Magic Fruit (Cornerstone); TOWN (Theatre Horizon); and south (Great Plains Theatre Commons). Directing credits include The Rivers Don't Know by James McManus (City Theatre Company); Highland Park is Here by Mark Valdez (Cornerstone and Latino Theatre Company's "Re: Encuentro 2021"); The Play You Want by Bernardo Cubria (The Road Theatre); Seize the King by Will Power (The Alliance); Larissa FastHorse's The Thanksgiving Play (The Geffen Playhouse) and Urban Rez (Cornerstone); and the just and the blind by Marc Bamuthi Joseph and composer Daniel Bernard Roumain (Carnegie Hall and The Kennedy Center). He is a professor of practice in English at Arizona State University.
Contributor(s)