Back when the Palomino was ground zero for the post-cowpunk California country scene, the Mustangs were a young, all-girl band who were long on chops and strong on harmonies. In a world where Jim Lauderdale and Buddy Miller shared a band, Lucinda Williams, Rosie Flores and the late Candye Kane had a roots, rockabilly and blues take on country and you never knew if Dave Alvin or Dwight Yoakam might show up at Ronnie Mack's Barn Dance, The Mustangs made their debut at The Pal. They had a beautiful sound, making original music that was equal parts Emmylou Harris and Stevie Nicks, mixed with the three- and four-part harmonies reminiscent of The Eagles. Following their debut at The Palomino, The Mustangs were named the Southern California Country Music Vocal Group of the Year. Headlining around L.A., the band was discovered and invited to play in Europe and Scandinavia, touring the US and Europe three times. The Mustangs played clubs and festivals, including SXSW and the renowned Roskilde Festival in Denmark.
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Back when the Palomino was ground zero for the post-cowpunk California country scene, the Mustangs were a young, all-girl band who were long on chops and strong on harmonies. In a world where Jim Lauderdale and Buddy Miller shared a band, Lucinda Williams, Rosie Flores and the late Candye Kane had a roots, rockabilly and blues take on country and you never knew if Dave Alvin or Dwight Yoakam might show up at Ronnie Mack's Barn Dance, The Mustangs made their debut at The Pal. They had a beautiful sound, making original music that was equal parts Emmylou Harris and Stevie Nicks, mixed with the three- and four-part harmonies reminiscent of The Eagles. Following their debut at The Palomino, The Mustangs were named the Southern California Country Music Vocal Group of the Year. Headlining around L.A., the band was discovered and invited to play in Europe and Scandinavia, touring the US and Europe three times. The Mustangs played clubs and festivals, including SXSW and the renowned Roskilde Festival in Denmark.
