Mies Van Der Rohe: Objects and Furniture Design
Acclaimed furniture works from the Bauhaus polymath
Mies van der Rohe (1886-1969) is without doubt one of the pioneering masters of modern architecture. Equally significant, though smaller in scale, are his adventures in furniture design. Like any good architect, Mies knew that architecture and furniture inevitably slip into dialogue and affect one another (he brought his knowledge of recent industrial technologies to bear on many of the chairs and tables he produced) and consequently, his earliest designs, beginning in the mid-1920s, were conceived for specific interiors. At first furniture design seemed more daunting than architecture: "There are endless possibilities and many problems--the chair has to be light, it has to be strong, it has to be comfortable. It is almost easier to build a skyscraper than a chair," he once declared. But Mies soon found novel ways to marry traditional luxurious fabrics and leathers with contemporary chrome frames, while effecting a distinct separation between the supporting structure and the supported surfaces. Today his modern furniture pieces such as the Barcelona chair, table, ottoman and day bed and the Bruno chair are acclaimed popular classics.
Comprehensive Design Documentation
This hardcover volume provides detailed documentation of Mies van der Rohe's furniture and object design work. The book examines how his architectural principles translated into functional furniture pieces that merged industrial materials with luxurious textiles. Published by Ediciones Polígrafa S.A., this design reference book captures the evolution of his furniture designs from the mid-1920s onward.
Essential Reference for Design Professionals
The book serves as both a historical record and practical reference for architects, furniture designers, and design students studying modernist principles. It documents the technical innovations Mies brought to furniture construction, particularly his pioneering use of chrome frames combined with leather and fabric upholstery. The separation between supporting structures and supported surfaces became a defining characteristic of his furniture design philosophy, influencing generations of designers working in the modernist tradition.
