Still reeling from the gut-punch of the distortion filled lead single "Vale" released earlier this year, many of us wondered what a full-length LP by the Denver based artist would sound like. Using the dystopian fever-dream of the aforementioned Midwife collaboration as a noise floor, the 8 songs on Tender spiral upwards like worried smoke against a low cloud ceiling, reaching towards the light but always within sight of the loamy earth surface. Shepherding lush, heavy compositions by way of synths, keys, guitars and subtle percussion, Tender finds Allison Lorenzen at her most vulnerable. Nursing old wounds from the end of a relationship and her musical project School Dance, Tender is also filled a renewed sense of heartbreak-made-triumphant that comes after the wisdom of solitude, allowing oneself to be taken care of by family and friends and, finally, documenting the way through. The way through figures heavily on Tender. Imagery of passages through liminal spaces are replete. "Vales" occur as emotional valleys as well as McCarthy-inspired end times, "Mirrors" are portals into deep self-reflection, "Tentacles" keep pulling us back into old patterns, old memories. Musically, this non-linear approach to healing is explored through songs that move from light to dark and back again, often within the same song, if not within the same phrase.
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Still reeling from the gut-punch of the distortion filled lead single "Vale" released earlier this year, many of us wondered what a full-length LP by the Denver based artist would sound like. Using the dystopian fever-dream of the aforementioned Midwife collaboration as a noise floor, the 8 songs on Tender spiral upwards like worried smoke against a low cloud ceiling, reaching towards the light but always within sight of the loamy earth surface. Shepherding lush, heavy compositions by way of synths, keys, guitars and subtle percussion, Tender finds Allison Lorenzen at her most vulnerable. Nursing old wounds from the end of a relationship and her musical project School Dance, Tender is also filled a renewed sense of heartbreak-made-triumphant that comes after the wisdom of solitude, allowing oneself to be taken care of by family and friends and, finally, documenting the way through. The way through figures heavily on Tender. Imagery of passages through liminal spaces are replete. "Vales" occur as emotional valleys as well as McCarthy-inspired end times, "Mirrors" are portals into deep self-reflection, "Tentacles" keep pulling us back into old patterns, old memories. Musically, this non-linear approach to healing is explored through songs that move from light to dark and back again, often within the same song, if not within the same phrase.
