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Imitation of Life: Douglas Sirk, Director

Imitation of Life: Douglas Sirk, Director - Paperback

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Availability:In StockContributor:Lucy Fischer (Editor)Series:Rutgers Films in Print #0016Publish date:1991-08-01Pages:360
Language:EnglishPublisher:Rutgers University PressISBN-13:9780813516455ISBN-10:813516455UPC:9780813516455Book Category:Performing ArtsBook Subcategory:FilmBook Topic:History & CriticismSize:9.22 x 6.12 x 0.89 inchesWeight:1.1707Product ID:SCYX3273B7
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959).

Because of the special stamp he put on his melodramas, Sirk's best works transcend the constraints of their genre. In them, he both exemplified and critiqued postwar, conservative, materialistic life and its false value systems. There is much in Sirk, particularly in Imitation of Life, that is of interest to us today. The time seems to be right for a new look at the film, its reception amidst scandal over the affairs of its star--Lana Turner--the relationships between its mothers and daughters, the tensions between its men and its women, the friendships between its black and white women, and the ambiguous, controversial approach of Sirk to his material.

This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.

Language:EnglishPublisher:Rutgers University PressISBN-13:9780813516455ISBN-10:813516455UPC:9780813516455Book Category:Performing ArtsBook Subcategory:FilmBook Topic:History & CriticismSize:9.22 x 6.12 x 0.89 inchesWeight:1.1707Product ID:SCYX3273B7
LUCY FISCHER is associate professor of English and director of the Film Studies Program at the University of Pittsburgh. She has published widely on film and is the author of Shot-Countershot: Film Tradition and Women's Cinema.
Publisher: Rutgers University Press

Contributor(s)

Lucy Fischer (Editor)

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