These 1987 realizations of the Mathis Symphony and the Symphonic Metamorphosis from Herbert Blomstedt and the San Francisco Symphony, marking their first recorded collaboration, are powerful, deeply felt, and thrilling to the ear. The Mathis is particularly striking in it's evocation of mood: dramatic without being overblown. Blomstedt is notably successful with the score's difficult concluding movement-by making each of it's episodes substantive, he makes the whole seem less episodic than it usually does. Both here and in the Symphonic Metamorphosis, there is beautiful wind and brass playing from the San Franciscans; they are clearly well rehearsed and exhibit a commendable responsiveness to Blomstedt's direction. The recording is of demonstration quality: impressive in it's depth, sense of space, and visceral impact.
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These 1987 realizations of the Mathis Symphony and the Symphonic Metamorphosis from Herbert Blomstedt and the San Francisco Symphony, marking their first recorded collaboration, are powerful, deeply felt, and thrilling to the ear. The Mathis is particularly striking in it's evocation of mood: dramatic without being overblown. Blomstedt is notably successful with the score's difficult concluding movement-by making each of it's episodes substantive, he makes the whole seem less episodic than it usually does. Both here and in the Symphonic Metamorphosis, there is beautiful wind and brass playing from the San Franciscans; they are clearly well rehearsed and exhibit a commendable responsiveness to Blomstedt's direction. The recording is of demonstration quality: impressive in it's depth, sense of space, and visceral impact.
