Zagg is me, my name, and this record is my first real, intentional, nearly unabashed step toward being myself confidently out in the world. Here I am! Here are my songs. Finally: making this record was truly a "life zagg" for me. I quit my marketing job. I quit my teaching job. I quit my sausage sampling at the mall job. I started taking my meds as directed. This is my SSNRI record. I'm reflecting instead of spiraling. Got my egg cracked a few times but I'm landing sunny side up. Like the Bridge of Avignon, I am partly destroyed but quickly rebuilt. I'm in cahoots with the Avengers of record-making. Still not perfect, but what's so sexy about perfect? The intrigue's in the pockmarks. This record is extremely fun.Zagg is a Jonathan Rado + Matthew E. White co-production. We played X-Files on mute for the entire two weeks we spent tracking with the Spacebomb House Band. We all got the flu. Two among us came down with foot & mouth disease (won't name names). The playing and production is bright and beautiful across the whole grab-bag of love songs, laments, self-mortifications, meditations on sunscreen, hammer-anvil jams, and kit v. kit double drum cardio smash-bros looney tunes suicide pursuits. Don't get me started on Trey Pollard's freak-of-nature orchestral arrangements.
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Zagg is me, my name, and this record is my first real, intentional, nearly unabashed step toward being myself confidently out in the world. Here I am! Here are my songs. Finally: making this record was truly a "life zagg" for me. I quit my marketing job. I quit my teaching job. I quit my sausage sampling at the mall job. I started taking my meds as directed. This is my SSNRI record. I'm reflecting instead of spiraling. Got my egg cracked a few times but I'm landing sunny side up. Like the Bridge of Avignon, I am partly destroyed but quickly rebuilt. I'm in cahoots with the Avengers of record-making. Still not perfect, but what's so sexy about perfect? The intrigue's in the pockmarks. This record is extremely fun.Zagg is a Jonathan Rado + Matthew E. White co-production. We played X-Files on mute for the entire two weeks we spent tracking with the Spacebomb House Band. We all got the flu. Two among us came down with foot & mouth disease (won't name names). The playing and production is bright and beautiful across the whole grab-bag of love songs, laments, self-mortifications, meditations on sunscreen, hammer-anvil jams, and kit v. kit double drum cardio smash-bros looney tunes suicide pursuits. Don't get me started on Trey Pollard's freak-of-nature orchestral arrangements.
