The first half of the 18th century can be described as the last revival of the traverso flute before it fell into a slumber, from which it awakened again decades later named as "Bohmflote" (transverse flute). In this time a variety of magnificent, virtuosic chamber music by Diabelli, Carulli or Giuliani originated. On this record the works are impressively interpreted by Ensemble Consolazione. Ensemble Consolazione has existed in the current formation since 1995, and originally played twentieth-century literature for flute and guitar on modern isntruments. The two Czech musicians discovered their common interest in early music and historical instruments, and so the duo began with the historical performance of virtuoso "duo concertanti" from the early nineteenth century already during their studies at the Prague Conservatory. Since 2002, Ensemble Consolazione has played exclusively on original instruments or copies thereof, dedicated itself intensively to research on historical interpretation techniques, and resurrected forgotten repertoire for this formation from archives and library collections.
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The first half of the 18th century can be described as the last revival of the traverso flute before it fell into a slumber, from which it awakened again decades later named as "Bohmflote" (transverse flute). In this time a variety of magnificent, virtuosic chamber music by Diabelli, Carulli or Giuliani originated. On this record the works are impressively interpreted by Ensemble Consolazione. Ensemble Consolazione has existed in the current formation since 1995, and originally played twentieth-century literature for flute and guitar on modern isntruments. The two Czech musicians discovered their common interest in early music and historical instruments, and so the duo began with the historical performance of virtuoso "duo concertanti" from the early nineteenth century already during their studies at the Prague Conservatory. Since 2002, Ensemble Consolazione has played exclusively on original instruments or copies thereof, dedicated itself intensively to research on historical interpretation techniques, and resurrected forgotten repertoire for this formation from archives and library collections.
